Thursday, April 8, 2010

[KaK)








At this moment in publishing history as magazines are on the precipice, every nation deserves a good design periodical. Russia has one called [KaK), which means How, and has taken the mantle of Graphis in opening itself up to worldwide design.

As a second in the series of noteworthy journals, take a look at [KaK)'s current issue devoted to Latin American designers. Then check out the special issues on British design, Academicians of design and American design. And go here for the results of [KaK)'s top 100 competition.

Wednesday, March 31, 2010

Die Neue Linie









Beginning in 1929 (lasting until 1943), a unique picture/lifestyle magazine was published in Germany. Die Neue Linie, with covers by Herbert Bayer, among others, was the the embodiment of modernity (perhaps the Wallpaper of its day). Few other mainstream publications were as avant garde. Now a book (first image) in English (and German), Die Neue Linie: The Bauhaus at the Newsstand, chronicles the magazine's history through the glory years of German progressive art and design into the Nazi period (when the magazine was surprisingly left unscathed by anti-modern decrees).

The magazine is a vivid record of the transition from the frenzied Weimar era to the Nazi dictatorship. After slipping into post-war obscurity, a 2009 exhibition, Die Neue Linie: Bauhaus at the Kiosk at Bauhaus Museum in Weimar, resurrected it. For more information, a review appears in the Irish Times.

This great article is from The Daily Heller

Thursday, March 25, 2010

Updates to Prism Specs

Updates to the Prism from today's class:

Body:
Garamond (ONLY) at 10pt with 15pt leading
Titles (unless treated "uniquely") shoud be: 35pt FFF Tusj
Author: should include "by" and be slightly offset from title: 15pt FFF Tusj
2 Colors: Pantone 462 U and 562 U

Make all margins to .75 inches (vs. .5 inches) and make the TOP margin to 1 inch.

Tuesday, March 23, 2010

Schedule for PRISM.... time is ticking.

After a wonderful in-depth critique of your "Design Issues" magazine today, we need to turn our attention the The Prism. It will need to be turned in to the Prism staff by next Tuesday for review of content, with the final design going to the printer on Tuesday April 6th. This means we have to make significant progress on the design THIS week.

** For those of you who were not here today, I'll need to see all of your spreads for your Design Issues magazine for a one-on-one critique on Thursday. Your grade will be affected if you do not have progress to show.

Today we decided as a class to move forward with Ann's cover for the Prism. This means your typography should use the following specifications.
Body Copy: Garamond or Helvetica at 10 pt, with 14 pt leading (unless you are creating a unique design)
Titles: FFF Tusj Bold (download it for free here). You may also choose to use Garamond/Helvetica for any title you think it more appropriate or fits the mood.

Remember, you are free to bring whatever character and layout to these pages using these typefaces - and please remember you typographic tool box including scale, weight, position, etc. Have fun and remember that the specifications still allow for freedom of creativity and unique approaches to each page/poem. Keep in mind that the two column grid still allows you to use only one column if need be. Use white space to your advantage and have fun with the vector based illustrations (ie. they should be created in Illustrator).

Additional Specs for the Prism
8.5 x 11 (11x17 spread).
Black & White (and gray)
.5 inch margin
2 column gird with .25 inch gutters

-------
Here is our schedule for the next few weeks:


Thursday (March 25th): Class critique of your Prism pages/spreads. Make refinements based on critical commentary received today and work on adjustments to turn in to Prism staff on Tuesday.

Tuesday (March 30th): Have pages printed, trimmed, and ready to deliver to Prism staff for editing and review.

Thursday (April 1st): Make edits to Prism based on literary staff feedback. Resolve any final printing/layout/paper issues in preparation for the integration of all your pages into one document. Remember to keep working simultaneously on your Design Issues magazine.

Tuesday (April 6th): Final Prism files send to the printer today (giving two weeks for the printer to complete the printing for the Thursday, April 22nd Student Showcase Deadline). Desk critiques of Design Issues Magazine. Resolve any final printing/layout/paper issues in preparation for the final critique of your Design Issues magazine on Thursday.

Thursday (April 8th): Final critique of your Design Issues Magazine. It should be printed with impeccable craft and attention to detail. Please come to class ready to discuss the project “professionally” making sure to use the proper terminology we have covered thus far.

Monday, March 15, 2010

KVART







Check out the wonderful design magazine KVART published and edited by Mia David - where the goal is to raise cultural consciousness in Serbia. Read more about KVART at its website and if you're interested, you can get copies (written in English and Serbian).

This great excerpt is from The Daily Heller

Thursday, March 11, 2010

Prism Homework

Specs for the Prism
8.5 x 11 (11x17 spread).
Black & White (and gray)
.5 inch margin
2 column gird with .25 inch gutters

Here are the Poems/Stories
Alysia.docx
Ann.docx
Erika.docx
Heather.docx
Megan.docx
Morgan.docx
Sarah.docx

Tuesday, March 9, 2010

Fortune magazine's redesign



This week saw the premiere of Fortune magazine's redesign (top and bottom). Four separate covers were printed of soldiers who are the next wave of business executives.

Founded in 1930 by Henry Luce, Fortune cost $1.00 a copy at the height of the Great Depression. And for those wealthy enough to buy it, they were given a lot for their money: 11 x 14 inches on heavy paper, printed in rotogravure. Its first cover was designed by T.M. Cleland, and Will Burtin and Leo Lionni (among others) would later serve as art directors. Its covers were done by the likes of Fernand Leger, Paolo Garetto, Ladislav Sutnar and Diego Rivera, among others. Walker Evans and Margaret Bourke-White's lush black and white photos graced its pages.

Steven Heller asked John Korpics, who redesigned Fortune, about this latest incarnation. Here's what he said:

Why the redesign?
This is part of a wholesale reinvestment in the brand. Better paper, better cover stock, new frequency rate, new web editor (Daniel Roth) to build up the online presence, new creative director (myself) to improve (hopefully) the look, feel and navigation of the book, and a significant amount of new content, all part of an effort to revitalize the brand while also retaining the core deep dive reporting and writing that makes the magazine experience unique.

What do you feel is the most unique quality of the redesign?
On a strictly design nerd level, I love it as a textural experience. The combination of classic business typography, tough geometric sans mixed with elegant heavily weighted serifs, information graphics and charts, a fantastic variety of photography and illustration.

How do you view the redesign compared to other current major redesigns?
Readers and newsstand buyers don’t notice design, but they notice when there is personally relevant content. We spent almost a year exploring the kinds of content our readers were interested in, and then we created new pages, new sections and new ways of presenting information that responded directly to those needs.

How do you see the redesign in the continuum of Fortune?
It’s the first step in what I hope will be a long and always evolving process. I think we’ve solved a lot of the content delivery problems, making sure readers know exactly what a page has to offer, and then making it almost impossible for them to skip over it. Beyond that, I love figuring out ways to design the modern day version of a magazine with such a rich visual history. Finding ways to work in little visual moments that are inspired by the great old Fortune while at the same time exploring ways to define it as a modern business magazine.

This great article is from The Daily Heller





Thursday, March 4, 2010

Inspiration: Windhover

Windhover is N.C. State University’s literary and arts magazine, designed and edited by students. It is a collection of prose, poetry, essays, art, design, and a music compilation disc. The 2009 magazine was edited by Joe Wright and designed by Megan Jett, Shaade Oliveros-Tavares, & Helen Dear and features pull out vellum pages, metallic ink, crazy patterns and lots of bright colors. Check out the in-progress 2010 issue.














Saturday, February 20, 2010

FUTU Magazine

Eye-catching video promoting a new issue of the unique polish magazine called FUTU. Great alternative way of presenting a design magazine: you can watch page by page and listen to the music.




Tuesday, February 16, 2010

Class today



In preparation for class today, here is the content you will be using for your newest project: The Design Issues Magazine (Design_Issues_Magazine.rtf). We will discuss the parameters in-class, but please read all the articles carefully and consider the meaning. Begin to play with the typographic treatment of the titles, illustrate, and photograph for your articles (this can include collage, montage, pattern, traditional photography, hand-drawn illustration, and vector-based illustration). Feel free to use Illustrator and Photoshop and consider how your imagery will be integrated into the magazine using InDesign. Remember to sketch out your approach before you begin.

As you are working on creating your "image bank" for your magazine, we will take a focused approach to learning InDesign. You will be required to lead a 30 minute classroom instruction session based on a specific InDesign Chapter (or two) from Lynda.com. It is up to you how you lead the presentation. You can show us the tools straight from InDesign, you can create a class activity, or you can prepare a Powerpoint presentation on your topic. Please practice your presentation so that you stay within your allotted 30 minute time-frame.

These presentations should be based on InDesign CS3 Essential Training section and your specific assigned "Chapters" are listed here:

Tuesday, Febuary 23rd Presentations:
Chapter 4 and 5: Creating a Document and Managing Pages 
(Alysia)
Chapter 6: Text 
(Sarah)
Chapter 7 and 8: Graphics and Formatting Objects 
(Megan)
Chapter 9 and 10: Managing and Transforming Objects 
(Morgan)

Thursday, Febuary 25th Presentations:
Chapter 11 and 12: Character and Paragraph Formatting 
(Ann)
Chapter 14: Working with Tables 
(Erika)
Chapter 13 and 15: Styles and Color 
(Heather)

Wednesday, February 10, 2010

Design for Social Impact


The Rockefeller Foundation is exploring new avenues for social change, like how the design industry can play a larger role in the social sector. IDEO has 2 How-To-Guides; Design For Social Impact.

Do Good Design: How Designers Can Save the World



David Berman's new book "Do Good Design: How Designers Can Save the World" explores the social power of design. "Design matters, like never before."

How did design help choose a president?
Why are people buying houses they can't afford?
Why do U.S. car makers now struggle to compete?
Why do we really have an environmental crisis?

Design matters, like never before. Designers create so much of what we see, what we use, and what we experience. In this time of unprecedented environmental, social, and economic crises, designers will choose what their young profession will be about: inventing deceptions that encourage overconsumption -- or helping repair the world.

Tuesday, February 2, 2010

Don't forget to...

*** remember to post the link to the tutorial you worked on ***

If you forgot to do it in some (or all) of your tutorials, please edit your posts with the information.

*Revised* Schedule

Both posters should be printed to size for our second critique on Thursday, February 4th. Incorporate the critical commentary into your designs and continue working. Read in: How to Think Like a Graphic Designer: Chapter by Paula Scher

You will work independently on final updates (and printing issues) on Tuesday, February 9th. I will be at the Civic Engagement Through Social Entrepreneurship Conference on Tuesday - so please be sure to touch base with me on either Monday or Wednesday if you have questions on the project.

Your two final posters should be ready for critique on Thursday, February 11th. You will present the posters formerly - so please be prepared for a professional presentation.

In addition, please have the following ready at the beginning of the class for critique (you will be deducted points if you are not prepared):
1. Both posters printed to size on the plotter (24x36) Arch D on the roll
2. 5 copies of each poster printed to 11x17 format (10 altogether)
3. Both posters should be posted to your blog with a brief description (in your own words) of the project, your chosen communication strategy, and your solution.

Saturday, January 30, 2010

Luba Lukova








More great inspiration for your Social Justice Project from the book of posters titled "Social Justice 2008" by Luba Lukova. The package is 14.5 x 21.5 inches and includes 12, ready-to-frame, posters. Lukova's masterful use of metaphors and symbols express themes including peace, war, ecology, immigration, and privacy.

"Her distinctive style and vigorous visual imagination distill issues such as these into deceptively simple, yet formidably brilliant images, images that not only transfix, but that have the power to become indelible."

Wednesday, January 27, 2010

Typography Meets Fruit





A little bit of visual inspiration for Ann who is working on "an apple a day" theme for her social justice topic of hunger. Typography meets fruit by Sarah King.

Monday, January 25, 2010

Africa in Words



Africa in words designed by Skyler Vander Molen for Global Peace Exchange. Global Peace Exchange is a student founded and run non-profit begun at Florida State University. In 2008, GPE took a team of 20 volunteers to Rwanda to help build an IT school and teach English. As a volunteer, it was their duty to raise money for the trip. As part of his contribution, he designed a t-shirt to raise awareness about Africa as well as raise money. via scarlettlion.com

The Graphic Alliance



The Graphic Alliance is a network of graphic designers, web developers and related workers who promote fundamental social change through their work. They are committed to helping build a new social order based on direct democracy, communal economics, human rights and ecological sensibility. They believe that design and technology are important aspects of the struggle for freedom, peace and social justice. They join together in the spirit of autonomy, mutual aid and open collaboration.Learn more at: http://www.graphicalliance.org/

Friday, January 22, 2010

First Critique on Tuesday

Hey Folks,
Just a reminder to review your project sheet for the Social Justice project and have your 4 ideas ready for class on Tuesday (January 26th). You should have two computer comps for each of the stances you have chosen (4 comps altogether). Please post the 4 comps to your blog (before class begins) along with your weekly tutorial.

Have a great weekend!

Thursday, January 21, 2010

WARNING - The Memo Problem

Don’t be a slave to the document. For example, the title of your social justice topic and the main subhead doesn’t have to be at the top of the poster. Instead of making one big text box, break up the content and move it around the page. Use an interesting variety of type sizes (some big, some small), but use variety in a consistent way. Mind the hierarchy!

Use color. Even just making the background a color helps your piece look more like a poster, and less like a...memo.






Monday, January 18, 2010

Designers Making Change

Learn about designers of all kinds doing great things for the world:

Acumen Fund
The Acumen Fund is a global charitable venture fund that contributes to the eradication of poverty by investing in enterprises that stimulate economies in poor areas. Focus is on supplying market-based critical services, such as health care, energy, housing and water.

Aid to Artisans
"We blend a passion for the deep-rooted cultures and handmade traditions of the developing world with a commitment to building profitable businesses. Environmentally sound practices are at the foundation of our methodology. We recognize that we can only bring lasting economic growth if we provide an integrated approach to product development, business skills training, market access and eco-effective processes."

All Day Buffet
An "incubator for social innovation" that hosts cross-disciplinary programs, often around meals. Its 2009 Feast Conference will take place in New York City on October 1.

Architecture for Humanity
Nonprofit design services firm founded in 1999 that works to create a more sustainable world by bringing construction and development aid to places where it is most needed. Organizes more than 40,000 professionals to directly affect the lives of 10,000 people annually. Director and co-founder, Cameron Sinclair

Ashoka
Named for a leader who unified the Indian subcontinent in the 3rd century B.C., Ashoka is a pioneer in the field of social entrepreneurship. Operates in 60 countries through a fellowship program that has supported more than 2,000 participants.

Catapult Design
Nonprofit design consultancy that provides building and implementation help to organizations in need of products for social change.

Centre for Social Innovation
"The Centre for Social Innovation is a dynamic space in downtown Toronto, Canada. Our mission is to spark and support new ideas that are tackling the social, environmental, economic and cultural challenges we face today."

Design Corps
Founded in 1991, this Raleigh, North Carolina-based organization uses the talents of recent architecture and planning graduates to provide improvements to low-income rural communities. Supports a program of Community Design Fellows.

Design In Kind
A collaborative network of designers who work with clients in resource-scarce areas to provide access to clean water, education and health care. Current projects include a test for HIV and STDs and a training program for reducing infant mortality in scores of African and Asian villages.

Design Seed Enterprise Creation Lab
Organization founded out of Auburn University's industrial design department to improve the social conditions of Alabama’s poverty-stricken Black Belt, a region of a dozen counties named for the rich soil. The lab employs design thinking and aggressive business practices to develop local manufacturing enterprises with the potential to create hundreds of jobs.

Design Studio for Social Intervention
Boston-based "creativity lab for the non-profit sector" that unites urban designers, cultural architects, game designers, performance artists, and youth to translate design theory into large urban games, block parties, silkscreened T-shirts, political campaigns, and interactive spatial installations.

Designers Without Borders
Non-profit consortium of designers and design educators working to assist institutions of the developing world with their communication needs.

Intelligent Mobility International
Seeks to help the estimated 300 million disabled people in the developing world. Programs include IMI Wheels, which produces innovative mobility devices suitable for the terrain in developing countries, and IMI Seeds, which promotes economic independence for those with disabilities.

IxDA
Member-supported community dedicated to the professional practice of interaction design. Sponsors annual conference.

Joey's Corner
Nonprofit design studio founded by Bay Area designer Michael Osborne that works exclusively for charitable organizations, offering solutions that improve group identity and marketing materials.

Project for Public Spaces
New York-based non-profit dedicated to creating and sustaining vibrant community spaces. Since its founding in 1975 has served 2,000 communities in 26 countries.

Project H Design
Charitable venture founded in 2008 by Emily Pilloton that champions design as a tool for social improvement, especially in the realm of products. "A nonprofit coalition of hundreds of designers worldwide who work locally and globally to develop and implement product design solutions for Humanity, Habitats, Health, and Happiness."

Public Architecture
San Francisco organization founded in 2002 by John Peterson that "puts the resources of architecture in the service of the public interest. We identify and solve practical problems of human interaction in the built environment and act as a catalyst for public discourse through education, advocacy and the design of public spaces and amenities."

Skoll Foundation
Created in 1999 by eBay’s first president, Jeff Skoll, to promote his vision of a more peaceful and prosperous world. Advances systemic change to benefit communities around the world by investing in, connecting and celebrating social entrepreneurs — individuals dedicated to pioneering new solutions that result in lasting improvements to complex social problems. Invests in social entrepreneurs through the Skoll Awards for Social Entrepreneurship. Connects them through Social Edge, an online community, and via the annual Skoll World Forum on Social Entrepreneurship.

The Association for Community Design
Established in 1977 as a national network and voice for those involved in community-based design and planning. Seeks to broaden the field of community design through more than 40 centers in the U.S. and an annual conference.

The Designer's Accord
International coalition of more than 170,000 designers, engineers, corporate leaders and others invested in positive social and environmental action. Described as the "Kyoto Treaty of design," the accord requires adopters to follow five guidelines: a public declaration of participation, effort to bring sustainability into client conversations, effort to educate one's design teams about sustainability, consideration of one's own ethical footprint, and contribution to "the communal knowledge base for sustainable design."

The Graphic Alliance
A network for graphic designers, website developers and other professionals who are pursuing social change. "We are committed to helping build a new social order based on direct democracy, communal economics, human rights and ecological sensibility. We believe that design and technology are important aspects of the struggle for freedom, peace and social justice. We stand united in our opposition to concentrated power, discrimination and oppression in its many forms. We promote social ownership and democratic control over information, ideas, technology and the means of communication."

WHY
"Founded in 1975, WHY is a leader in the fight against hunger and poverty in the United States and around the world.... Advances long-term solutions to hunger and poverty by supporting community-based organizations that empower individuals and build self-reliance, i.e., offering job training, education and after-school programs; increasing access to housing and health care; providing microcredit and entrepreneurial opportunities; teaching people to grow their own food; and assisting small farmers. WHY connects these organizations to funders, media and legislators."

Thanks to "Change Observer" a segment of Design Observer for the great list

10 Ways to Take Design Action and Make a Positive Difference in the World

Can we make a positive difference in the world through the use of design? If so, how? PSDTuts takes a look at ten ways to take decisive action through the use of design.

Designers deliver messages with impact, and are trained in conceptual and high-value visual thinking. They can use these skills to assist non-profits, eco-friendly companies, and active charity groups. We can raise funds through the sale of our donated design work, launch projects with big concepts that are grounded in practical campaigns, and more. Let's discuss some of these ideas.

Sunday, January 17, 2010

23 Awesome Examples of Design as a Force For Good

While design is too often used as a means to persuade us to buy, buy and buy some more, it is less often but more importantly used as a means to communicate positive messages and encourage action. PSDTuts showcases 23 examples where graphic design has been used not to sell us products we don't need, but instead, to fight poverty. Check it out here!

Saturday, January 16, 2010

The Book For Change

The World is looking for solutions to the problems of economic and emotional depressions, terrorism, climate change, disappearing resources, increased consumerism and poverty. Everyone realizes that these problems exist and that action is required to do something about them, but they don't know how to make a difference by themselves.

The Book for Change is a contributed compilation of articles in the form of a physical book, with articles written by anyone and everyone dedicated to opening the hearts and minds of all who read it, changing our outlook on life for a better humanity. Together, we can change the world. Learn more and contribute here.

Tuesday, January 12, 2010

Power to the Poster!







Check out this great site that celebrates the Power of the Poster - a graphic design democracy project.

The site began from this simple question: As a global citizen, what moves you? What they got was a collection of work that offers a snapshot of our world. Simply scroll down the site and get a sense of what graphic activism looks like today.

This project exists to bring people together around a ready supply of well-designed, wild postings that comment on the issues of our time. These 11x17 posters in PDF format are for anyone, anywhere to download, print and post. The hope is that this site gets people talking about where we've been and where we're going in these historic times.

  1. Download a Poster in 11 x 17 PDF format from our downloads page.
  2. Open your Poster in a PDF viewer program on your computer. One such program is Adobe's Acrobat. Totally free.
  3. Print your Poster on any printer capable of printing at 11 x 17 inches. If you don't have a printer you can print it at just about any copy center. Also, if you can, you should always print your posters on some serious FSC recycled, chlorine free paper.
  4. Take your new Poster print to a high traffic area. Maybe its at your work, maybe a wall in your neighborhood, maybe a coffeehouse, maybe its your refrigerator. (Respect people's property, of course).
  5. Post it and watch heads turn.
  6. Repeat.

Type based tuts





Please use the following Typography Tutuorials listed below (from VectorTuts and PSDTuts) and complete it using "your name" instead of whatever example wording they use. It can be your full name (first, middle, and/or last), your nickname, your initials, or the name of your blog. Whatever makes sense for the tutorial you've chosen. Some tutorials are better than others in describing the step-by-step process so remember to bring a zeal for learning a dash a patience as you begin each one. Generally, the tutorials should take about 2 hours or so to complete (but some will be MUCH longer, a few shorter). Keep in mind your goal of becoming proficient in the technology in order to better actualize your ideas - and the learning should be FUN!

You will be required to post your finished turorial to your blog BEFORE the beginning of class every Tuesday at 2pm, along with the link to the tutorial you used.

PSDTuts

1.
Choose any one of the following 50 Creative Photoshop Text Effects listed here. But, be warned - not all of these 50 tutorials keep you on the PSDTuts site, and some are far less helpful than others so be sure to scroll through the steps before you begin (and make sure it seems like a tutorial you can handle).

2. Dynamic Recessed Watercolor Typography in Photoshop

3. How to Create an Ice Text Effect with Photoshop

4. How to Create a Gorgeous Glassy Text Effect

5. How to Create a Richly Ornate Typographic Illustration

6. Create Destructive Black and White Lettering with a Dramatic Splash Effect - Screencast or Step-byStep

7. How to Create High Quality Metal 3D Text in Photoshop

8. How to Create a Copper Photoshop Text Effect

9. How to Quickly Create a Stylish Retro Text Effect

10. Super Cool Frilly Bits Typography

11. Create a Glowing Surreal Planet Design – Screencast or Step-by-Step

12. Dynamic Recessed Watercolor Typography Effect in Photoshop – Screencast

13. Quick Gold Text in Photoshop – Screencast

14. Designing a Typographic Concept Poster

15. Create a Steam Powered Typographic Treatment – Part I

16. Create a Steam Powered Typographic Treatment – Part II

17. Plastic Text in PhotoshopScreencast

18. Make an Inspiring Artistic Poster with Drawn Elements

19. Create a Layered Glowing Text Effect

20. Dramatic Text on Fire Effect in Photoshop

21. 6 Quick’n'Dirty Photoshop Text Effects From Scratch (you must do ALL 6 if you choose this tutorial)

22. Create a Spectacular Grass Text Effect in Photoshop

23. Create a 60’s Psychedelic Style Concert Poster

24. Design Soft Stylized 3D Type

25. Quick Grungy Poster

26. How to Put Smokin’ Bullet Holes and a Wanted Sign into a Piece of Wood

27. How To Create A Gold Text Effect In Photoshop

28. A Slick Supernatural Text Effect

29. Using Light and Shade to Bring Text to Life

30. Transparent Glass Lettering in Photoshop

31. Metallic Styles in Photoshop (remember to use your initials, rather than the icon they use here)

32. Plastic Jelly Styles


VectorTuts
1. How to Add Decorative Glamour to Your Ordinary Script Font

2. Use Illustrator to Create a Fun, 3D, Character Logo

3. How to Create Smoky Brushes and Type In Illustrator CS4

4. How to Create a Flag Graphic with Type in InDesign

5. Let’s Make a Playful Yet Robust 3D Letter Design

6. Make a Torn Vector Desktop Wallpaper with Angled Text

7. Create a Swirly Type Treatment

8. Create a Vibrant 3D Pixel Type Treatment

9. How to Create a Trendy Retro Type Treatment

10. Creating an Environmentally Friendly Green Type Treatment

11. Create A Jeweled Dollar Sign

12. How to Create a Smokin’ Western Type Treatment in Illustrator

Tutorials due every Tuesday



As we journey into the world of Graphic Design you will be required to complete at least one tutorial (every Tuesday) from the Photoshop or Illustrator links below. Your first tutorial will be due next Tuesday - January 19th. Once you have completed the tutorial, take a screen grab of the image (or "save for web" in Photoshop) and upload it to your blog. Write a caption for the image and include the link to the tutorial you used, along with a few sentences of commentary.

Please pick your Photoshop tutorials from psdtuts, Tutorial9, photoshoplady or computer arts magazine online. Please pick your Illustrator tutorials from Vectortuts or Smashing Magazine - Best of Illustrator Tutorials. If you want to venture outside of these sites, please send me the link to the tutorial before you begin so I can see if it is applicable to the class.

The following tutorials will help you get started in Photoshop before you jump into more complex tutorials. I would recommend that you look over ALL of the following links:
  1. Photoshop Pen Tool: The Comprehensive Guide
  2. A Comprehensive Introduction to Photoshop Selection Techniques
  3. 30+ Useful Resources to Improve Your Photoshop Efficiency
  4. The Roll of Sketching in the Design Process
  5. Tools & Tips: Photoshop Brushes
  6. Tools & Tips: Photoshop Actions
For a reminder on how to use the Illustrator tools in general, check out the following links:
  1. Illustrator's Pen Tool: The Comprehensive Guide
  2. Illustrator's Type Tool: A Comprehensive Introduction
  3. Illustrator's Paint Tool and Brush Panel: A Comprehensive Guide
  4. Seven Helpful Techniques that you should know about Illustrator
  5. Illustrator's Blend Tool: A Comprehensive Guide